The Rolling Stones Rock Boston 6/14/13

On Friday June 14th The Rolling Stones took to the stage at the Boston Garden for the second night of their two night stand on their 50 & Counting Tour. You could tell that everyone was excited for the festivities that night, as almost everyone outside of The Garden was decked out in Rolling Stones merchandise. As our party entered the stadium our intensity level went even further through the roof, as we realized we were only eleven rows from the stage.

At about 8:50 the house lights went down and the band’s intro video came on, and that’s when the crowds intensity skyrocketed. The whole Garden was clapping, whistling, and waiting not so patiently for the show to begin. Then, The Rolling Stones Appeared. Mick Jagger, Keith Richards, Charlie Watts, and Ronnie Wood in the flesh, and that’s when the place erupted, and the band launched into the first chords of “Get Off My Cloud.”

The band sounded tight on their first few numbers, but on the fourth song of the night, “Gimme Shelter” you could tell that the band was on fire, and it would be a great night of some of the Stone’s best material. They played “All Down The Lane” and for Boston’s fan voted song they played, “Memory Motel” which coincidentally features the lyric “When I asked her where she headed for ‘Back up to Boston I’m singing in a bar.’”

“When The Whip Comes Down” a classic cut from 1978’s Some Girls was up next, and that was followed by one of my least favorite Stones’ tracks, “Emotional Rescue.” The band then launched into the two new tracks which they recorded for their latest greatest hits album Grrr! which was released last November. “Doom and Gloom,” a political rocker was one of these new songs and that went over well, but you could tell that by the time they got into “One More Shot” people were using these new tracks as an opportunity to use the bathroom. I dig the new tracks, especially “Doom and Gloom,” and I felt I was one of the few people in the audience that new the track.

Keith Richards then busted into the riff for “Honkey Tonk Women” which brought the crowd back into the action. The band then did introductions, and after that Keith Richards took to the microphone performing two of my favorite Stones’ songs “You Got The Silver” and “Happy.” These two tracks went over well especially “Happy” which had a great number of fans singing along.

“Midnight Rambler” was up next and this was when Mick Taylor joined the band. Taylor looked happy to be there, but his playing was really not up to muster. In fact it felt like they buried his guitar in the live mix to cover any mistakes. Watts and Richards really held the band together on this track especially the very loose last part of the song at the end.

The band played “Miss You” and “Start Me Up” which both received enormous hands from the crowd who went up another notch when the band launched into the intro of “Start Me Up.” The band finished off their set with “Tumbling Dice,” “Brown Sugar,” and “Sympathy For The Devil.” These songs were all excellent especially “Sympathy For The Devil.”

The stage went dark, and the crowd called for an encore, and their wishes were granted when B.U.’s choir came to the stage with the band and performed a haunting rendition of “You Can’t Always Get What You Want.” The band closed the night with the two crowd pleasers, “Jumping Jack Flash” and “(I Can’t Get No) Satisfaction.”

The Rolling Stones were amazing and if you get the opportunity to see them, you definitely should not let that opportunity pass you by.

-B. Harlow
Mick Jagger, Charlie Watts, Keith Richards, Ronnie Wood

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NEVER SAY DIE: Black Sabbath Return With First Album Featuring Ozzy Osbourne in 35 Years, ’13′

Black Sabbath. These two words say so much. They conjure images of Ozzy Osbourne peace signs swinging in the air hoping up and down like a coked up Richard Nixon. Of Tony Iommi standing in place playing the evilest riffs that can be conjured. And Geezer Butler, whose bass tone and style is the gold standard for all of heavy metal.  These three titans have come together with the help of producer, Rick Rubin to release their first new album in 35 years, 13.

13 starts off with the ominous opening riff to the album’s first track “End of The Beginning.”    “End of The Beginning” has a very slow ominous feel to it that is very reminiscent of the band’s eponymous song “Black Sabbath.”  The song eventually picks up and the listener gets bludgeoned by another one of Iommi’s signature riffs.

13’s second track is entitled “God is Dead?” which starts off with a slow instrumental section that sets the mood for the song. This then gets interrupted by another one of Tony Iommi’s signature riffs. You can hear how tight the band is on this riff especially bassist Geezer Butler and session drummer, Brad Wilk. The slow meandering riff comes back again and with it we hear Ozzy’s vocals which sound excellent. Rick Rubin did a great job polishing Ozzy’s voice on this song, as it is spotless in performance. Butler’s bass is super punchy during the verse too, which gives the song a certain movement that is different from Iommi’s guitar playing which is very smooth. The chorus comes in and this is when we hear Black Sabbath as it is meant to be heard with extremely loud riffs. Around the 5:55 the song hits a bridge and this is by far my favorite song as it fits in with the band’s older material like “Hole in the Sky.”

“Loner” is the next track on the album, which is a track about pure alienation, which lyrically is interesting because many of Sabbath’s early songs were about that same topic. The riff in this song is very standard and simple, but it gets the job done.  But where the song really is stunning is towards the middle where it slows down for a short period, but then the band kicks in, and they’re full speed.

“Zeitgeist” is the albums fourth track, and is one of my favorite tracks on the record. The song has a great feel reminiscent of their great track, “Planet Caravan.”  It’s a beautiful track, and Rubin did a great job on the mixing allotting each instrument the correct space in the mix. If there’s anything that would be the polar opposite of “Zeitgeist” it would be the next track, “Age of Reason” which is a riff driven track about the end of the world, but what I love about it is it’s riff which sounds like a number of my favorite Black Sabbath songs got shoved into a blender, and the end result was this track. Tony Iommi’s guitar playing is also something that should be noted, as he provides a very heavy mechanical feel, but still makes the track groove. Wilk’s drumming is also great on this track.

“Live Forever” is another one of those tracks that you just want to bang your head to. The riff has so much groove. It’s a tremendous song, and the lyrics on the track are spectacular too. “Damaged Soul” is the seventh track on the album, and this song sounds like it came straight from 1971. The production on this song isn’t as spectacular as the rest of the album, but the unpolished feel adds to the rustic and true image that Black Sabbath has always portrayed.

“Dear Father” is the last track on the album, and this song is as heavy, as anything I’ve heard even though it’s a slower song in parts, I would say it’s one of the heaviest tracks I’ve ever heard. I love it.

13 is a collection of eight great tracks that bring one back to the 70’s. Rick Rubin said he wanted the album to sound contemporary, but also have a vintage feel, and with this record he definitely captured that vibe. Sabbath is back!

-B. Harlow

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Man Overboard ‘Heart Attack’

Last Tuesday Man Overboard released their third album, Heart Attack which is a  14 track pop punk album. Man Overboard is originally from Mt. Laurel and Williamstown, New Jersey and began  their journey as a band in 2008. Since then, the band they’ve released two EP’s, an acoustic EP, and a split with Boston pop punk band Transit. They’ve also  recorded two other studio albums.

This album is strong, and with 14 tracks one is fully satisfied by size and quantity. It starts out with a great track called “Secret Pain” which is a perfect opening track. The track “Where I Left You” is the next track to take note of. It starts off slowly, but picks up into a nice chorus. The band then launches into the title track which is a solid song with a heavy handed beat that drives the song. The band gets heavier on the next track “White Lies” which has a very serious feel that feels particularly well. The band keeps putting great tracks out like, “Hoodie Song,” “Damage Control,” and “Wide Awake.”  \

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Quick Artist Profile: Graham Dechter

Born into a musical family it was no surprise Graham Dechter went into music. His mother, Maureen came from musical theater and his father, Brad is an orchestrated and composer who has worked on 250 film scores and arranged pieces for many famous artists including Johnny Mathis and Barbra Streisand. He credits his parents for exposing him to the music that he eventually would later work with, jazz. But Dechter did not start out playing jazz, originally Dechter’s muse was classical music which he also composed.  This changed however when Dechter met with bassist Marshall Hawkins who exposed him to improvisation, and thus directed the young musician towards playing jazz. In 2005 and at age 19 Dechter was invited to join the Clayton-Hamilton Jazz Orchestra and has been touring with them since, as well as working on sessions, and playing with many singers and musicians including working on Michael Bublé’s, Christmas.

Along with being a fantastic studio musician, Dechter is also a solo artist that has put out two fantastic records. His first record was released in 2009 and featured many great tracks that feature his smooth sounding swing based leads it also featured the tremendous bass playing of John Clayton. Dechter’s second album featured the same smooth playing that will make him a force to be reckoned with within the guitar community.

-B. Harlow

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Newsted Release New Song, “Heroic Dose”

Jason Newsted has been instrumental to the thrash scene since the mid 80’s when he played with one of the best underground thrash metal bands, Flotsam and Jetsam. Newsted then came to the forefront of thrash metal when he took the bass slot for Trash Metal’s forefathers, Metallica, after the tragic death of Cliff Burton. In 2001 Newsted left Metallica, after differences with both James Hetfield and Lars Ulrich. After he left Metallica, he played in his band, Echobrain and played bass for a short period for Ozzy Osbourne. Newsted  then joined Voivod under the stage name, Jasonic.  In 2009, Newsted was present with Metallica when they were inducted into the Roll Hall of Fame in Cleveland.

In the 3 years since the Rock and Roll induction ceremony, Newsted has been honing his sound for his latest project, Newsted. Newsted released Newsted was originally a metal three-piece that includes Newsted on bass and vocals, Jessie Farnsworth on guitar, and Jesus Mendez Jr.  Staind Guitarist Mike Mushock joined Newsted in March.

Recently the band released the first track from their upcoming debut album, Heavy Metal Music. The track is titled “Heroic Dose”  and runs at about five and a half minutes long.  It starts out nicely with a riff that reminded me of Testament, especially the vocals which reminded me of Chuck Billy. Newsted’s voice is great for thrash, and it’s a shame that it was barely used when he was in Metallica. Around the three and a half minute mark we get hit with great dueling solos, that really make this track stand out in extra ordinary fashion.

Be sure to check these guys out and look for new music from them this summer. They’ll be on tour with Megadeth this summer, so be sure to check them out if you’ll be attending Gigantour.

-B. Harlow 

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Quick Artist Profile: Modern Baseball

Modern Baseball is a Philadelphia based band that originated in Maryland. The group was founded in 2011 and consists of Brendan Lukens, Jacob Ewald, Ian Farmer, and Sean Huber. Their influences are very interesting, and include Brand New, Gaslight Anthem, Motion City Soundtrack, and Say Anything.

Modern Baseball put out their first record, Sports in late 2012. The record which consists of 12 tracks is a great listen and provides an enjoyable listening experience, as the tracks go together nicely, and fit together seamlessly. The album was Recorded over a series of late nights at Drexel University’s free studio and  was released by Lame-O Records, and is available for streaming.

Be sure to check out Modern Baseball, I think you’ll enjoy their music and its unique sound.

-B. Harlow

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August Burns Red Release New Track, “Spirit Breaker”

August Burns Red have been pushing metalcore’s boundaries for the last ten years, and in that time have released four spectacular albums of original content. The band is now ready to release their fifth studio album, Rescue & Restore, which was produced by Carson Slovak and Grant McFarland, and will be released on June 25th via Solid State Records.

Yesterday the band released a new track from the upcoming album entitled, “Spirit Breaker.” This track starts off with a slow instrumental, but you are then the full band kicks in, and then you get the full picture of the music at hand. The lyrics in this are very well thought out, especially the spoken word part provided by Jake Luhrs. The excellent guitar playing of both Brent Rambler and JB Brubaker is also represented well on this track, as it shows an excellent level of virtuosity especially when it comes to the spoken word part.

Overall this entire track is just a great performance by the band. Be sure to check this song out and the album out when it is released.

-B. Harlow

Listen HERE

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Boston Strong

Today on Musically Diversified I’d like to focus my thoughts on an event that is happening in Boston this evening. The Concert For Boston featuring Aerosmith, Jason Aldean, Boston, The Drop Kick Murphys, and many more is set to take place at the Boston Garden tonight, and all of the proceeds from the night will go towards The One Fund. You can Donate HERE 

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John Fogerty Releases Collection of Re-Recorded Classics with Great collaborations

If there was a man who summed up the perfect mix of grit and charm it was definitely Creedence Clearwater Revival’s John Fogerty. Fogerty’s voice and lyrics summed up a whole generation;s feelings, and have resonated throughout the ages, and now at age of 68 Fogerty has released a collection of some of his most known tunes re-recorded with some of today’s biggest artists spanning many genres and sub-genres. Some guests include: Foo Fighters, Jennifer Hudson, and Kid Rock. The album was  released on May 28, 2013 Fogerty’s 68th birthday, and is a fitting celebration of Fogerty’s back catalogue.

The first track of Wrote a Song for Everyone is a re-recording of CCR’s most famous song and politically driven song, “Fortunate Son” and it features a great collaboration with Dave Grohl and the rest of the Foo Fighters. It’s great to hear a more modern recording of this song, but the lyrics are still accurate as the day they were written.  Keith Urban provides a great performance on the next track, “Almost Saturday Night” which is a more obscure song, but was perfect for both Urban and Fogerty, as their voices synced in a very cohesive manner.  “Lodi” is the third track on the record, and this is where Fogerty’s two sons, Shane and Tyler, come into the picture, and they provide great performances.

One of the album’s two new songs was up next, and I found this song, “Mystic Highway” to be a great track, not only is it classic Fogerty, but it also feels very modern, and sing songish. It may be campy, but it works.

Zac Brown Band makes an appearance on the album’s rendition of “Bad Moon Rising.” The band’s music works perfectly when it comes to the track, as it’s a little bit country and a little bit rock and roll. Musically ZBB holds up their end well, while Fogerty does his thing perfectly on guitar and vocals. Arrangement wise the song is excellent, and exceedingly fresh. “Born on The Bayou” featuring Kid Rock was the next track that I fell in love with. Kid Rock’s voice works so well in the country rock genre, and also compliments Fogerty’s voice with stylistic ease.

Wrote A Song For Everyone is a hybrid greatest hits and tribute album that works great. Fogerty picked artists that complimented his talents, and added a new twist to the record. The dude Abides.

-B. Harlow

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Megadeth Release New Song “Kingmaker”

Megadeth have just released the latest track from their forthcoming album, Super Collider. Super Collider will be the bands second studio album with original bassist and founding member, David Ellefson. The record will also be the first on Mustaine’s new label, Tradecraft which is in an imprint on Universal Records and will be released June 4th.  The song which is entitled “King Maker,” runs at about four minutes.

Musically, “King Maker” is very reminiscent of old school Megadeth circa Countdown to Extinction, but it also has a modern feel and sounds like it could go on the band’s 2008 release, Endgame. I particularly enjoyed Mustaine’s vocals throughout the track as he delivers verse after verse with his signature snarl.  Ellefson’s bass sounds tight and hold Chris Broderick and Mustaine’s riffs together sonically. Shawn Drover’s drums also sound tight especially the double bass which he implements subtly and with masterful ease.

-B. Harlow


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